This is the first feature I've completed(the first one went off to Morocco without telling me(thank goodness) and the other was in China but never actually happened. The director is fun and the cinematographer is forgiving and easy to work with... which makes the 360 degree lighting set ups that much easier. The crew is tight and we quickly became friends in the first week due to all the setbacks and roadblocks all the departments are having to deal with.
Here are a few pics from the shoot:
Brian Deutsch, the key grip, and Tarin Anderson, the cinematographer
PhillM tip-of-the-day:
Recently I have been turning on all lights with a double in it from the beginning. This way when the DP asks for more light out of the unit I can pull the double and get more out of it:)
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